sabotabby: gritty with the text sometimes monstrous always antifascist (gritty)
([personal profile] sabotabby Jan. 21st, 2026 04:39 pm)
I remain awed by, proud of, and scared shitless for my incredible friends in Minnesota, who are fighting on the front line against literal jackbooted thugs. Even if you don't have a personal connection, I'm sure you're also gripped by the news.

Here is how you can help:

A post by [personal profile] naomikritzer

How to help if you are outside Minnesota.

This also has advice on how to start preparing for if and when this shit comes to your home state.

If you are in Minnesota.

I am also stealing some graphics that [personal profile] lydamorehouse posted that you can spread around, as long as you credit the artist. Credit where it is known:

735514
By Rin Mix.

735398
By Cas Fern.

735967
Artist unknown but if you find out, let me know and I'll edit it.

Let Minnesota be the graveyard of fascism!
sabotabby: (books!)
([personal profile] sabotabby Jan. 21st, 2026 07:12 am)
Just finished: Mavericks: Life Stories and Lessons of History's Most Extraordinary Misfits by Jenny Draper. I don't have a lot to add since last week. If you read my blog you will like this. It is my jam. It's a rather inspiring read for—look, I haven't written about politics in a public post in awhile but you know. You know

Currently reading: Choices: An Anthology of Reproductive Horror, edited by Dianna Gunn. This one I picked up because a lot of the authors in it are my kind of people, and it's a cool concept. There must be a particular subgenre of leftist, author-led anthologies, and like. I want to fix that subgenre. I want it to exist, but I want to push it like, a notch further or two.

Part of my problem here is absolutely personal, which is that I'm intensely phobic of pregnancy and childbirth, and so in order to ping as horror in my brain, a story has to somehow be worse than my own fairly intense reactions to the subject. A few of the pieces are but they're mostly "wow it would be awful to be pregnant in a dystopian regime that viewed women as chattel" well, here we are. I have the same critique of my own writing btw. You simply cannot write bad things fast enough to get your book out before those bad things are just an accepted part of reality. Plus a lot of the stories are earnest, which is one thing that horror can't be. There's one story about an anti-abortion protestor that goes straight for black comedy and it is excellent; so far it's my favourite.
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sabotabby: (doom doom doom)
([personal profile] sabotabby Jan. 16th, 2026 07:11 am)
 Today's episode is Wizards & Spaceships' "Editing Roundtable ft. Alexandra Pierce and Josh Wilson." If you read any SFFH, you'll know that the short story and critical essay markets are central in ways that they really aren't in other genre fiction or in literary fiction. If you hang out with SFFH people, you'll notice that "we should start a magazine" gets said almost as often as "we should start a podcast." Anyway, this episode looks at magazine publishing. Alexandra is the editor of Speculative Insight, which publishes critique and analysis about genre fiction, and Josh Wilson is the editor of The Fabulist, which specializes in extremely short SFFH. It's, among other things, a much more positive episode than I normally post here, so you should check it out.
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sabotabby: (books!)
([personal profile] sabotabby Jan. 14th, 2026 06:51 am)
Just finished: Invisible Line by Su J. Sokol. This was quite good. Xe did a good job in not just complicating utopia—I have a minor dislike of "flee to Canada" as a plot point in dystopian fiction, and the portrayal of Montreal as a bureaucracy subject to limits on its ability to do the right thing is very nuanced and well done—but also making the characters messy and traumatized. The big crisis in the last act could have been averted if the parents talked to their damned kids, but of course they are too paranoid and distrustful from years of living under fascism, so they don't. Looking forward to reading the sequel.

Currently reading: Mavericks: Life stories and lessons of history's most extraordinary misfits by Jenny Draper. This is really fun—TikTok-sized portraits of history's interesting (not always good) characters. I knew about a lot of them, like Ellen and William Craft and Noor Inayat Khan, but a lot of the others, like Eleanor Rykener and The Chevalier d'Eon, are new to me. It's very fun and conversational.
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sabotabby: a computer being attacked by arrows. Text reads "butlerian jihad now. Send computers to hell. If you make a robot I will kill you." (bulterian jihad)
([personal profile] sabotabby Jan. 9th, 2026 06:51 am)
I've been steeped in work hell (which is just not letting up) so I haven't really caught up with DW or formulated anything more than a wish for [REDACTED] to happen to every single ICE agent and [REDACTED, replaced with screaming into the void] in general, but in the meantime, podcasts gonna podcast I guess? Honestly that's where I get my news because the mainstream media has either fallen for the lie of objectivity or just reports on things so shallowly that it's unclear as to whether things like gunning down a mother in her car as she tries to get away or kidnapping the leader of a foreign country are actual crimes or just "controversial."

Anyway.

Today I have a new podcast for you, AI Skeptics, with Cathy O'Neil and Jake Appel. Cathy O'?Neil wrote the fantastic (and still very relevant) Weapons of Math Destruction, so I was very interested in what she had to say about AI. Neither of them really come off as Professional Podcasters but the content of this is excellent and both they and their guests are insightful. "AI Versus Artists and Educators ft. Becky Jaffe" is the most recent one and most relevant to my interests.

It should be noted that folks on the podcast are skeptics rather than professional haters like me, so there's occasionally a use case, 90% of which I still disagree with. But it's an important and intelligent discussion, and the episodes are quite short and accessible.
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